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	<title>The Excelano Project Official Blog &#187; Cortney Charleston</title>
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	<link>http://www.excelanoproject.com</link>
	<description>Official blog of UPenn&#039;s spoken word poetry collective, The Excelano Project</description>
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		<title>Knives</title>
		<link>http://www.excelanoproject.com/2012/knives/</link>
		<comments>http://www.excelanoproject.com/2012/knives/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 19:06:34 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA['11 Fall: An Opiate Utopia]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=1277</guid>
		<description><![CDATA[Stabs of sound through the stillness of
sleeping hours, I can hear the sharpening.
Metal making love to metal in a
distant but familiar place. The
calling of a feast I was not privy to.
Yet somehow, these echoes persist
in their fragile lives, filling the
empty spaces of this heart
as stuffing does a turkey.
This heart, the organ I think with.
The one [...]]]></description>
			<content:encoded><![CDATA[<p>Stabs of sound through the stillness of<br />
sleeping hours, I can hear the sharpening.</p>
<p>Metal making love to metal in a<br />
distant but familiar place. The<br />
calling of a feast I was not privy to.</p>
<p>Yet somehow, these echoes persist<br />
in their fragile lives, filling the<br />
empty spaces of this heart<br />
as stuffing does a turkey.</p>
<p>This heart, the organ I think with.</p>
<p>The one that recalls every beating<br />
it took in the name of survival.</p>
<p>The one that always strives to<br />
forgive, but never forgets,<br />
because it is also a muscle.</p>
<p>It remembers.</p>
<p>The last gift I clearly remember my<br />
mother giving my father was a<br />
set of silver handled kitchen knives.</p>
<p>And if I ever found courage to cut the<br />
silence between us with my tongue,<br />
I believe she would say the last<br />
gift my father gave to her was my<br />
youngest sister, who is like one of<br />
a set of silver handled kitchen knives.</p>
<p>Teeth forever showing in my presence,<br />
a serrated smile that slices into me<br />
without causing me to crumble<br />
at the sharpness of her mind, as I<br />
do at the sharpness of intentions<br />
behind the extension of knives as gifts.</p>
<p>Since the day my parents cut<br />
the nostalgia loose from my<br />
childhood like burnt crust, I have<br />
dropped crumbs of myself<br />
everywhere I made travel.</p>
<p>In the ears of women. A bowl of chili<br />
cooked in a nearby soup kitchen. The<br />
palms of a God begging the world for<br />
recognition or a dime of every dollar.</p>
<p>Anywhere except the basket<br />
where I was bred and baked.</p>
<p>Because my left foot always wants to leave,<br />
and my right foot correct turns wrong,<br />
they could never agree to walk in<br />
straight lines, so I lost my way home.</p>
<p>Found myself sitting at a table<br />
full of surrogates who carried<br />
me in closeness for the holiday<br />
like a son of shared blood.</p>
<p>They were unawares to my hemophilia.<br />
Had no knowledge my family was fine<br />
china not to be removed from the curio,<br />
did not recognize my meekness as shock<br />
at seeing meals shared between people.</p>
<p>Supper was a solitary endeavor where<br />
I came from. It was separating the<br />
foods on your plate like parents into<br />
different rooms to protect the taste of each.</p>
<p>It was discussing politics with a television<br />
resting idly on cable news. It was<br />
swallowing your pride because you<br />
had not yet learned to cook.</p>
<p>But time has passed through me like heat.<br />
The yeast within my voice has risen,<br />
and friends have been fed by my words.</p>
<p>I have grown, only to see much<br />
of what was with me, still is.</p>
<p>I still dine with a television. I still avoid<br />
cooking whenever possible since some<br />
pots are better left unstirred. I still<br />
separate my foods with restraining orders.</p>
<p>The shame of it all is that a meal will<br />
never satisfy when one fears becoming<br />
what they eat, and so I am left with this.</p>
<p>A stomach full of holes fit to sheath the<br />
knives my father forgot to take with him.</p>
<p>By habit, I sleep atop my belly at night<br />
and drive them deeper into myself.<br />
My silence, an accessory to the crime.</p>
<p>Not to say there was ever a crime,<br />
just that there were victims.</p>
<p>Not to say I am one of them, just that<br />
I would like to avoid making more.</p>
<p>And so, whenever I find myself in that place,<br />
I take that youngest sister, who is like<br />
one of a set of silver-handled kitchen knives,<br />
and bring her head gently into my gut<br />
where I have fashioned a groove for her.</p>
<p>Tell her to be still in what she is, since<br />
she is a blade, and life cannot always<br />
be trusted with a gift such as hers.</p>
<p>Just look to me as proof.<br />
We came from the same set.<br />
Four forged with the mettle to love.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Composition Book</title>
		<link>http://www.excelanoproject.com/2011/composition-book/</link>
		<comments>http://www.excelanoproject.com/2011/composition-book/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 18:09:30 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=1224</guid>
		<description><![CDATA[I.
The reach of my composition book is flat,
fully extended before me like the
equator before the birth of Magellan.
I look into it and see nothing,
aside from white space, that is.
II.
The pages are blank of confessions
like a virgin’s heart to their
spouse the night of the honeymoon.
And like said virgin’s body,
they are so very inviting.
Inviting, the way a guitarist’s
forearms are to the [...]]]></description>
			<content:encoded><![CDATA[<p>I.<br />
The reach of my composition book is flat,<br />
fully extended before me like the<br />
equator before the birth of Magellan.</p>
<p>I look into it and see nothing,<br />
aside from white space, that is.</p>
<p>II.<br />
The pages are blank of confessions<br />
like a virgin’s heart to their<br />
spouse the night of the honeymoon.</p>
<p>And like said virgin’s body,<br />
they are so very inviting.</p>
<p>Inviting, the way a guitarist’s<br />
forearms are to the sharp<br />
wit of a needle, saying<br />
<em>make of me what I wish.</em></p>
<p>III.<br />
I discover an urge to recreate the<br />
world along two dimensions and<br />
simplify things a bit. I know depth<br />
need not be the literal to be reality.</p>
<p>IV.<br />
I write my name inside of it,<br />
a first act of self-correction.</p>
<p>V.<br />
The ink bleeds a little bit,<br />
as if it is rising<br />
from the paper itself.</p>
<p>VI.<br />
I impulsively listen to <em>The Wind Cries Mary</em>.</p>
<p>VII.<br />
I realize that art and pain<br />
have never been more<br />
intimate than in a tattoo.</p>
<p><em>This is without doubt </em><br />
<em>something to aspire to.</em></p>
<p>VIII.<br />
I write a poem about my lack<br />
of composure affront the sharp<br />
wit of a needle, sewing my fate.</p>
<p>IX.<br />
I look into myself and see nothing,<br />
aside from white space, that is.</p>
<p>X.<br />
I look into my book,<br />
and see two dimensions,<br />
working as three.</p>
<p><em>I made it what I wished.</em></p>
]]></content:encoded>
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		</item>
		<item>
		<title>What Man Feels for Muse</title>
		<link>http://www.excelanoproject.com/2011/what-man-feels-for-muse/</link>
		<comments>http://www.excelanoproject.com/2011/what-man-feels-for-muse/#comments</comments>
		<pubDate>Sat, 01 Oct 2011 20:14:26 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=1169</guid>
		<description><![CDATA[I am meta for
you. Change me for the better.
All of this must grow.
]]></description>
			<content:encoded><![CDATA[<p>I am meta for<br />
you. Change me for the better.<br />
All of this must grow.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Excelano Project Fall 2011 Auditions!</title>
		<link>http://www.excelanoproject.com/2011/excelano-project-fall-2011-auditions/</link>
		<comments>http://www.excelanoproject.com/2011/excelano-project-fall-2011-auditions/#comments</comments>
		<pubDate>Sun, 11 Sep 2011 23:41:04 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA[Announcements]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=1150</guid>
		<description><![CDATA[(1) Do you consider yourself a poet?
(2) Do you write poetry, and are looking for a chance to showcase your work?
(3) Are you tired of pointless questions as &#8220;engagers&#8221; for any type of advertisement?
If the answer is yes to any or all of the preceding questions, consider yourself informed that The Excelano Project Auditions are [...]]]></description>
			<content:encoded><![CDATA[<p>(1) Do you consider yourself a poet?<br />
(2) Do you write poetry, and are looking for a chance to showcase your work?<br />
(3) Are you tired of pointless questions as &#8220;engagers&#8221; for any type of advertisement?</p>
<p>If the answer is yes to any or all of the preceding questions, consider yourself informed that The Excelano Project Auditions are fast approaching. Come tryout for our collective of warm-hearted, lovable eccentrics. Please come with 2-3 minutes of original material to perform in front of the group! Don&#8217;t be nervous, be fly.</p>
<p>Where: Kelly Writer&#8217;s House</p>
<p>When: 8-10 PM, September 18, 2011</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Dead Leaves</title>
		<link>http://www.excelanoproject.com/2010/dead-leaves/</link>
		<comments>http://www.excelanoproject.com/2010/dead-leaves/#comments</comments>
		<pubDate>Thu, 09 Dec 2010 08:30:59 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA['10 Fall: IN//VERSE]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=969</guid>
		<description><![CDATA[As the leaves rattle in breeze like bullied children, I reflect.
If autumn is another metaphor, it insists the most lovely
Things in this world are the ones leaving it. Dying.
If my life is another poem, this makes my little
Brother a metaphor. Lovely. Leaving. Dying.
For the sake of aesthetics we can call him November.
It’s fitting flesh. He [...]]]></description>
			<content:encoded><![CDATA[<p>As the leaves rattle in breeze like bullied children, I reflect.</p>
<p>If autumn is another metaphor, it insists the most lovely<br />
Things in this world are the ones leaving it. Dying.</p>
<p>If my life is another poem, this makes my little<br />
Brother a metaphor. Lovely. Leaving. Dying.</p>
<p>For the sake of aesthetics we can call him November.<br />
It’s fitting flesh. He has reddish brown skin and<br />
Half his heart is in a grave. In plotting his demise<br />
He had forgotten I would be home come December.</p>
<p>Maybe I have been the end of him from the very beginning.<br />
It was assumed we would travel in the same direction.<br />
Even our mother used to dress us in synonym.</p>
<p>He always struggled in his English classes and<br />
I’m sure the results are related. He couldn’t<br />
Define himself outside his relation to me.<br />
No wonder he sees life as a prison sentence.</p>
<p>Those fingerprints on his eyes belong to me. I’ve<br />
Reached out to him during dark hours, but I’m gone<br />
Now. I only see him through telephones these days.</p>
<p>I remember every call vividly.</p>
<p>One in particular, sounded like wrist-slit and ankle-sprain.</p>
<p>The tone tinted maple leaf: red, alarming – my brother<br />
Contracting into himself like an unspoken secret.</p>
<p>A tender laugh caved between his cheeks.<br />
A blush surfacing like smoke. He burns<br />
For the sake of another person’s happiness,<br />
Since he understands you cannot<br />
Be a martyr and die of natural causes.</p>
<p>So, he curves his mouth into moth wings.<br />
Kisses the heat. Swallows his Aderol<br />
Pills with a lava flow of vodka. Monk-like.</p>
<p>He’d been squinting at his prospects long enough to<br />
Make the golden-twine of a noose resemble a halo.</p>
<p>People aren’t leaves despite how easy they fall.<br />
We are foolish to consider suicides stunning.</p>
<p>Awestruck by their cold and colors so neither<br />
Our fingers nor voices can be lifted, as the<br />
Falling petals patty-cake the sidewalks softly<br />
As kindergarten footsteps, until the echo<br />
Disappears like cheer at the end of recess.</p>
<p>I often ponder where voices go once they fall to the ground.</p>
<p>I imagine he’d say they don’t ever reach heaven.<br />
I imagine he’d say he couldn’t find the Lord<br />
Even while he was high. I imagine that’s the<br />
Essence of depression, but he knows it.</p>
<p>Melancholy has more mass than Catholics do.<br />
He is by far the heaviest prayer I’ve ever lifted.</p>
<p>He needs help, but doesn’t<br />
Feel comfortable asking for it. Not from me.</p>
<p>But I understand him, because we’re brothers.</p>
<p>The dread of being burdensome is a bond shared<br />
Between us like blood, and bruises, and blue<br />
Jeans neither one can wear anymore.</p>
<p>We both bow out when bowing down goes awry.<br />
We both draw into ourselves like wrinkles.<br />
We both know telephones aren’t happy places.</p>
<p>I wish he’d see we have more in common than the<br />
Surname chaining our hearts to one another.<br />
I tell him this, but he can’t see a locket through the skin.</p>
<p>I tell him not to fear splinters. I tell him they<br />
Are the price of building beautiful things.</p>
<p>I tell him he has a beautiful spirit. I tell him he is black.<br />
I tell him that his spirit should be skeptical of tree limbs.</p>
<p>I tell him to remember. I tell him to always<br />
Remember: dead leaves; lives behind.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Conditionals</title>
		<link>http://www.excelanoproject.com/2010/conditionals/</link>
		<comments>http://www.excelanoproject.com/2010/conditionals/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 18:53:33 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=822</guid>
		<description><![CDATA[If George Clinton had become President
And Chocolate City never melted
If the bird flipped was a peace symbol
Like its name implied
If nerd was sexy and paid as such
If homies on the corners listened to Common Sense
Before he went commercial
If money grew on trees
And didn’t leave cotton splinters
If the elector’s voted like they went to college
If college [...]]]></description>
			<content:encoded><![CDATA[<p>If George Clinton had become President<br />
And Chocolate City never melted</p>
<p>If the bird flipped was a peace symbol<br />
Like its name implied</p>
<p>If nerd was sexy and paid as such</p>
<p>If homies on the corners listened to Common Sense<br />
Before he went commercial</p>
<p>If money grew on trees<br />
And didn’t leave cotton splinters</p>
<p>If the elector’s voted like they went to college</p>
<p>If college didn’t treat me<br />
As just another commodity</p>
<p>If the dreams weren’t always more vivid than reality</p>
<p>If drinks tasted the same<br />
In cans and bottles</p>
<p>If marijuana was conjoined<br />
With every new treaty</p>
<p>If food was served family style every night</p>
<p>If rain came at uniform speed<br />
And always with deliberate warning</p>
<p>If the clocks had fatter faces</p>
<p>Then, life would be air conditioned</p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>(simplifying two)</title>
		<link>http://www.excelanoproject.com/2010/simplifying-two/</link>
		<comments>http://www.excelanoproject.com/2010/simplifying-two/#comments</comments>
		<pubDate>Wed, 02 Jun 2010 19:40:55 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=772</guid>
		<description><![CDATA[I always wanted to write you
A poem on glass.
Something beautiful.
Transparent.
The type of rare that&#8217;s inexpensive.
Break it. Give it to you.
Have you put the letters
Back together for me.
It’ll be a brilliant metaphor.
You won’t know it.
And I will
Thank you for returning
My feelings.
(one)
]]></description>
			<content:encoded><![CDATA[<p>I always wanted to write you<br />
A poem on glass.<br />
Something beautiful.<br />
Transparent.</p>
<p>The type of rare that&#8217;s inexpensive.</p>
<p>Break it. Give it to you.</p>
<p>Have you put the letters<br />
Back together for me.</p>
<p>It’ll be a brilliant metaphor.<br />
You won’t know it.</p>
<p>And I will</p>
<p>Thank you for returning<br />
My feelings.</p>
<p>(one)</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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