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	<title>The Excelano Project Official Blog &#187; Print</title>
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	<link>http://www.excelanoproject.com</link>
	<description>Official blog of UPenn&#039;s spoken word poetry collective, The Excelano Project</description>
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			<item>
		<title>Conditionals</title>
		<link>http://www.excelanoproject.com/2010/conditionals/</link>
		<comments>http://www.excelanoproject.com/2010/conditionals/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 18:53:33 +0000</pubDate>
		<dc:creator>Cortney Charleston</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=822</guid>
		<description><![CDATA[If George Clinton had become President
And Chocolate City never melted
If the bird flipped was a peace symbol
Like its name implied
If nerd was sexy and paid as such
If homies on the corners listened to Common Sense
Before he went commercial
If money grew on trees
And didn’t leave cotton splinters
If the elector’s voted like they went to college
If college [...]]]></description>
			<content:encoded><![CDATA[<p>If George Clinton had become President<br />
And Chocolate City never melted</p>
<p>If the bird flipped was a peace symbol<br />
Like its name implied</p>
<p>If nerd was sexy and paid as such</p>
<p>If homies on the corners listened to Common Sense<br />
Before he went commercial</p>
<p>If money grew on trees<br />
And didn’t leave cotton splinters</p>
<p>If the elector’s voted like they went to college</p>
<p>If college didn’t treat me<br />
As just another commodity</p>
<p>If the dreams weren’t always more vivid than reality</p>
<p>If drinks tasted the same<br />
In cans and bottles</p>
<p>If marijuana was conjoined<br />
With every new treaty</p>
<p>If food was served family style every night</p>
<p>If rain came at uniform speed<br />
And always with deliberate warning</p>
<p>If the clocks had fatter faces</p>
<p>Then, life would be air conditioned</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Handshake</title>
		<link>http://www.excelanoproject.com/2010/handshake/</link>
		<comments>http://www.excelanoproject.com/2010/handshake/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 04:47:04 +0000</pubDate>
		<dc:creator>Marion Smallwood</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/2010/handshake/</guid>
		<description><![CDATA[i’m a gentleman, you said.
a hopeful romantic, i thought.
a loose eyelash, a fleshy daydream,
a constant reminder to pray.
here’s what went unimagined:
we exchange stories and swap the endings,
hardly noticing how neatly my shoulder tucks under your arm,
or how your hand recites the poetry in my back,
skipping over the lines that are about someone else.
we forget just [...]]]></description>
			<content:encoded><![CDATA[<p>i’m a gentleman, you said.<br />
a hopeful romantic, i thought.<br />
a loose eyelash, a fleshy daydream,<br />
a constant reminder to pray.<br />
here’s what went unimagined:<br />
we exchange stories and swap the endings,<br />
hardly noticing how neatly my shoulder tucks under your arm,<br />
or how your hand recites the poetry in my back,<br />
skipping over the lines that are about someone else.<br />
we forget just to practice remembering.<br />
you tell me about my details,<br />
about how entering my flesh is like stepping into the same river twice<br />
about what i feel like midday in july,<br />
you told me which of my smiles is the aftermath of a laugh,<br />
the wreckage is sideways.<br />
we learn each other like we’re something to pass and take again<br />
a great class, a flying color, a love note, the salt from across a long table.<br />
i gotta park in my skull for you to walk through,<br />
a thought in my palm for you to hold&#8212;hold that thought,<br />
i promise to be right back.<br />
i promise that things won’t be like they’ve been.<br />
let me show you how much you can carry on that back,<br />
how well you can see in the dark,<br />
what is possible to hear and know and write in a journal.<br />
but the universe is a prankster and timing is everything.<br />
let me tell you what actually happened:<br />
our lips didn’t even touch.<br />
you smiled and i blushed.<br />
you told me the color was crimson<br />
but i didn’t believe you.<br />
you shook my hand and said you were a gentleman.<br />
you told me your name, but i only remembered hers.<br />
the universe has a cruel sense of humor.<br />
it skips to the punch line, shows us the world has fists.<br />
it gambles with a life spread across both sides of a coin.<br />
i wanted him knowing not even the thought of him was mine.<br />
and we all know what happens when you laugh too hard.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Inspiration</title>
		<link>http://www.excelanoproject.com/2010/inspiration/</link>
		<comments>http://www.excelanoproject.com/2010/inspiration/#comments</comments>
		<pubDate>Sat, 03 Jul 2010 21:02:46 +0000</pubDate>
		<dc:creator>Justin Reilly</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=785</guid>
		<description><![CDATA[I met a Queen once
she had a smile that reeked of
&#8220;i&#8217;ve been there before&#8221;
and &#8220;it&#8217;s been awhile since we&#8217;ve met&#8221;
so lets take a moment to get re-acquainted 
The last time we cuddled like this
we were merely thoughts
muddled between heavy breathing and &#8220;i love you&#8217;s&#8221;
playing hopscotch in heaven
i remember letting you win
knowing it would come in [...]]]></description>
			<content:encoded><![CDATA[<p><strong>I met a Queen once</strong></p>
<p><strong>she had a smile that reeked of<br />
&#8220;i&#8217;ve been there before&#8221;<br />
and &#8220;it&#8217;s been awhile since we&#8217;ve met&#8221;<br />
so lets take a moment to get re-acquainted </strong></p>
<p><strong>The last time we cuddled like this<br />
we were merely thoughts<br />
muddled between heavy breathing and &#8220;i love you&#8217;s&#8221;</strong></p>
<p><strong>playing hopscotch in heaven</strong></p>
<p><strong>i remember letting you win<br />
knowing it would come in handy 22 yrs later<br />
the funny thing is<br />
you grinned<br />
like you already knew how to make me feel like a king</strong></p>
<p><strong>I was shy for 9 months<br />
i have a feeling you never were<br />
everything about your breath<br />
reminds me of the bright side of my heart<br />
that I always tend to forget too easily<br />
like some drunken bartender who misplaces his keys<br />
there&#8217;s a North Star in your fingertips</strong></p>
<p><strong>I was in a hole once<br />
more like a crater<br />
The deepest crevice this side of heartbreak<br />
and you candle-wax blew me a safety net<br />
even before you knew i was drowning<br />
there&#8217;s something epic<br />
in that lifeguard red soul of yours<br />
something that deserves more than words<br />
you deserve a sonnet<br />
spit over a shooting star<br />
a song so beautiful<br />
only Queens were afforded the chance to listen<br />
but we both know<br />
you would find someway<br />
to let everyone in on the secret</strong></p>
<p><strong>you are everything subtle<br />
and everything grand<br />
a bright light under bushel basket<br />
who waits patiently<br />
knowing one day the world will be ready enough to see her shine<br />
there is more than just wonder in your spine</strong></p>
<p><strong>more than just swagger in your hips<br />
there&#8217;s a universe in your ribcage<br />
that I&#8217;m just learning exists<br />
a world of relief under your skin<br />
and<br />
the<br />
jukebox in my chest<br />
playing songs i&#8217;ve never heard before<br />
and making me feel nostalgic about places<br />
I&#8217;ve never been</strong></p>
<p><strong>A few months ago<br />
i would have never dreamt of being<br />
in a Greek god fairytale<br />
A Promethean fire of a cipher<br />
an adoration battle<br />
between your eyes and my soul<br />
The way you always seem to win<br />
there something to be said for the way you glow<br />
and the transparency of my skin</strong></p>
<p><strong>when you smile</strong></p>
<p><strong>even remotely in my direction<br />
i light up<br />
like red white and blue<br />
rocket pops<br />
in the middle of july<br />
God has blessed me with a modern day miracle<br />
in the sanctity of your eyes</strong></p>
<p><strong>The Mount Olympus in your voice<br />
reminds me of everything coveted<br />
and everything beautiful about &#8220;free will&#8221; and choice</strong></p>
<p><strong>You are the woman i&#8217;ve written about for almost a decade<br />
a sat-fire in the dusk<br />
a prayer that i have been blessed enough to touch</strong></p>
<p><strong>Your a soft whisper in a mother&#8217;s bedtime story<br />
the footnote to my heart beat, the breath on my breast<br />
a queen in waiting<br />
a temple surrounded by holy water in your chest</strong></p>
<p><strong>you are everything i have prayed for<br />
and everything I didn&#8217;t know i could have</strong></p>
<p><strong>you are the punchline<br />
the climax<br />
in every poem<br />
I have ever written</strong></p>
<p><strong>And I am forever grateful<br />
that God blessed me with the chance<br />
to meet<br />
My inspiration<br />
</strong></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Years Old</title>
		<link>http://www.excelanoproject.com/2010/years-old/</link>
		<comments>http://www.excelanoproject.com/2010/years-old/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 18:06:53 +0000</pubDate>
		<dc:creator>Marion Smallwood</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=777</guid>
		<description><![CDATA[With change as steady as the way wallets empty and old cars pace,
I stop and pin constancy to a dorm room wall&#8211;
a dozen glossy paper mirrors.
I stare and I am again, who I&#8217;ve always been&#8211;
the narrator of a funny short story
the neon yellow laces in a black shoe
a first grade art project
a laugh that is [...]]]></description>
			<content:encoded><![CDATA[<p>With change as steady as the way wallets empty and old cars pace,<br />
I stop and pin constancy to a dorm room wall&#8211;<br />
a dozen glossy paper mirrors.<br />
I stare and I am again, who I&#8217;ve always been&#8211;<br />
the narrator of a funny short story<br />
the neon yellow laces in a black shoe<br />
a first grade art project<br />
a laugh that is so still in all it&#8217;s chaos it has no sound.</p>
<p>But I am no longer that much fun<br />
and it doesn&#8217;t matter if I write poems with crayons.<br />
The white walls of my room<br />
with all it&#8217;s techni-color memories, and posters and glossy paper mirrors<br />
just don&#8217;t seem like a giant coloring book anymore.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>This Night Has Opened Her Eyes</title>
		<link>http://www.excelanoproject.com/2010/this-night-has-opened-her-eyes/</link>
		<comments>http://www.excelanoproject.com/2010/this-night-has-opened-her-eyes/#comments</comments>
		<pubDate>Mon, 31 May 2010 20:48:52 +0000</pubDate>
		<dc:creator>Lauren Yates</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=768</guid>
		<description><![CDATA[“She could have been a poet or she could have been a fool,”
she sings to herself, quite aware that she’s both. It’s as natural to her as the runs
in her stockings. There’s no need to varnish the inevitable. She piles
her hair atop her head into acceptable disaster, choosing to ignore the black roots
growing from her [...]]]></description>
			<content:encoded><![CDATA[<p>“She could have been a poet or she could have been a fool,”<br />
she sings to herself, quite aware that she’s both. It’s as natural to her as the runs<br />
in her stockings. There’s no need to varnish the inevitable. She piles<br />
her hair atop her head into acceptable disaster, choosing to ignore the black roots<br />
growing from her scalp. She had dyed her hair burgundy. But it’s not as if anyone believed<br />
it was natural, so she really has nothing to lose. She pulls on her geisha</p>
<p>T-shirt. The one where she leans over the turntables, arms covered in tattoos. The geisha,<br />
that is, not the girl. Though she does want sleeve tattoos someday, the day she fools<br />
herself into thinking she’s willing to spend that much money. I can’t believe<br />
people pay to go through that much pain, she ponders. Random thoughts run through<br />
her head of justice and her drama teacher’s kid sister. She wore overalls and had black roots<br />
too, come to think of it. But she’s probably married now, dreams on hold, sorting through piles</p>
<p>of laundry. Maybe she thinks back to past relationships that didn’t involve compromise or piles<br />
of clothes to hand-wash. Maybe she’ll find lipstick on her husband’s collar, deep red like a geisha’s.<br />
Everything jerks. Our girl barely remembers how she got on this train or scrolled to The Roots<br />
on her iPod. It’s full, both of songs and the cough syrup she knocked over on her nightstand. Foolish<br />
of her not to stand it up once she noticed the bottle had fallen. But the iPod still works, and she runs<br />
through songs on shuffle. Some remind her of him, none remind her of her, and it’s unbelievable</p>
<p>how many songs have swearing. In high school, she wrote a “This I Believe” essay<br />
supporting edited music. Why pay more to buy something the way it’s marketed to you? People pile<br />
onto the train and a woman steps into a puddle of spilled coffee. It runs<br />
across the floor beneath the seats, milky, but no one’s crying. A man eyes the geisha<br />
on her shirt, or rather, her breasts. The girl’s, that is. She folds her arms, wondering how this fool<br />
thinks he can ogle her so shamelessly. He averts his eyes to the map of the train’s routes</p>
<p>mounted on the wall. Strange people take public transportation. Like the woman quoting Roots<br />
who says she knows her Malcolm X, her eyes desperate with doubt, like she can’t believe<br />
in sound advice because it goes against her principles. Like the boy who thought our girl had fooled<br />
him. It was in Biology class. And she’d told him lobsters scream as they die before diners pile<br />
butter sauce onto their tender flesh. He’d thought it was a lie and refused to fall for such a “gay”<br />
lie. Words like “blatant” and “outright” are above his reading level. He writes in run-on</p>
<p>sentences and is the type to leave his windows up if in a car during a tornado. So she just ran with<br />
it, too exhausted to protest and too naïve to be offended. Because she prefers root canals<br />
to confrontation and prefers ideas to people, but she loves aesthetics the most and wants the geisha<br />
to really exist. Whether she wants to look like her or be with her she’s not sure. But she believes<br />
she’ll one day meet the person who’ll make her trust in love. She bumps into a stranger as she piles<br />
off the train two stops too late. This is the third time this week. She doesn’t know who she’s fooling:</p>
<p>she’ll never be served runny eggs and turkey bacon in bed by a hip-hop loving geisha,<br />
her foolish heart will never find the one—it will settle for the time being, only to grow like roots<br />
firmly anchored into soil, and she’ll compile a list of ways to happy, but won’t believe enough to try.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Wreckage</title>
		<link>http://www.excelanoproject.com/2010/wreckage/</link>
		<comments>http://www.excelanoproject.com/2010/wreckage/#comments</comments>
		<pubDate>Sat, 29 May 2010 15:14:51 +0000</pubDate>
		<dc:creator>Melissa Pavri</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=765</guid>
		<description><![CDATA[The nearness of you is marble  on sky. Enchanting and breakable. I do not know how to sleep without  the obsidian clouds that travel your gaze. They look like a mouth of  dream that likes to mull over the ocean. Big fish and little noise.  Everything that washes over our bellies [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #ff0000">The nearness of you is marble  on sky. Enchanting and breakable. I do not know how to sleep without  the obsidian clouds that travel your gaze. They look like a mouth of  dream that likes to mull over the ocean. Big fish and little noise.  Everything that washes over our bellies in the youngest hours of the  afternoon. You listen. Like the conch of my lips can tell you the all  the answers and the sand will not write them down. We drift for the  damnation of not knowing when the world will end. What its silkscreen  will look like against the wall of morning. You know that waves are  fickle and only the shore will care about you when the sun wakes up.  But we both like moments. How they surf the crests of our noses like  a breath in a flame. Sometimes you are a compass on the tip of blast  and I want to be your Magellan. Follow you into the storm of your self  and remind you of the peace beneath the city. I want to tell you our  season is graying. The trees are bending their spines to tell us we  are flightless birds we do not know our feathers. I might live a dozen  lifetimes in the wristwatch of this week. The face of time will silver  and laugh no more. I might get another tattoo and you might cut your  hair. I hate the way I need to wake to you how innocent its bones look  at dusk. I will unfeel the summer in your skin and tell the sun to know  the nape of your neck like I did. My poems will not wait for me. Reason  will be a wrecking ball of fist and we will be the falling house no  one cares to fight for. You know there is no axiom for the way it  happens.  How unsettling it is to fall in fear with a moment that is seven leagues   away. But you cannot know it until it comes said the silence. Its  skeleton  will crumble between your fingers and you will wonder how flesh wanders.   Like a mind on mushrooms. It is unthinkable. Though I suppose we are  too. I can map our voyages but I cannot imagine the distance. Cannot  measure its ache in thought. Will it unfold by the fathom one night  in July and paddle through a few thousand miles to tell its story to  a sea of strangers. Will it thrash like a beached dolphin or sit on  a bed of memory. I will have to wish on the wreckage.</span></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Fragments</title>
		<link>http://www.excelanoproject.com/2010/fragments/</link>
		<comments>http://www.excelanoproject.com/2010/fragments/#comments</comments>
		<pubDate>Thu, 20 May 2010 21:14:06 +0000</pubDate>
		<dc:creator>Lauren Yates</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=763</guid>
		<description><![CDATA[I.
Nighttime.
Less like
time for sleeping.
I think better in
darkness.
II.
Collage.
Claimed, spliced.
Cutting, placing, pasting.
Cover the blank spaces.
Self.
III.
Hello.
We fake wide smiles
effortlessly. Sore cheeks.
This isn&#8217;t going anywhere.
Goodbye.
]]></description>
			<content:encoded><![CDATA[<p>I.</p>
<p>Nighttime.<br />
Less like<br />
time for sleeping.<br />
I think better in<br />
darkness.</p>
<p>II.</p>
<p>Collage.<br />
Claimed, spliced.<br />
Cutting, placing, pasting.<br />
Cover the blank spaces.<br />
Self.</p>
<p>III.</p>
<p>Hello.<br />
We fake wide smiles<br />
effortlessly. Sore cheeks.<br />
This isn&#8217;t going anywhere.<br />
Goodbye.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>The Quick &#8211; a haiku</title>
		<link>http://www.excelanoproject.com/2010/the-quick-a-haiku/</link>
		<comments>http://www.excelanoproject.com/2010/the-quick-a-haiku/#comments</comments>
		<pubDate>Fri, 14 May 2010 22:44:30 +0000</pubDate>
		<dc:creator>Alysia Harris</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=758</guid>
		<description><![CDATA[My flesh knew a laugh
once. (1) Shake. (2) Serve… for old time’s sake.
It’s a piece of junk.
]]></description>
			<content:encoded><![CDATA[<p>My flesh knew a laugh</p>
<p>once. (1) Shake. (2) Serve… for old time’s sake.</p>
<p>It’s a piece of junk.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Guiness</title>
		<link>http://www.excelanoproject.com/2010/guiness/</link>
		<comments>http://www.excelanoproject.com/2010/guiness/#comments</comments>
		<pubDate>Tue, 11 May 2010 17:53:38 +0000</pubDate>
		<dc:creator>Alysia Harris</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=754</guid>
		<description><![CDATA[My gums flare into a fleshy axiom
You mount as a crown upon the queenly head of beauty virginal.
We told her, to roll her eyes like thunder so far up as to appear haughty
And she drooled with consent but did not flinch the flinch of freedom;
She was always a payne in the glass anyway.
Believe you me, [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #ff0000">My gums flare into a fleshy axiom<br />
You mount as a crown upon the queenly head of beauty virginal.<br />
We told her, to roll her eyes like thunder so far up as to appear haughty<br />
And she drooled with consent but did not flinch the flinch of freedom;<br />
She was always a payne in the glass anyway.<br />
Believe you me, that year winter left quick as a teenage father<br />
Returned with several more pregnancies that the seasons<br />
Reared into: peonies, no look backs, and something a kin to nostalgia<br />
But which didn’t require as many professional mourners. </span></p>
<p><span style="color: #ff0000">I fell in Lolita with the first two,<br />
They were so ungroomed and took to the nakedness of wisdom as easily as expected.<br />
I told them nothing. I gave them suck. They liked the lie of silence.<br />
The latter I adored with all my dwindling optimism.<br />
It loved the secret of my ankles and for that I told it:<br />
“I know I can narrow my gaze, growl my desire, lick my fangs like any trained predator,<br />
But when you hold me I want you to feel innocent, my blood.”<br />
That was as close as I could come to “I pray to God I don’t turn you.”<br />
But I did and when it died<br />
It pumped its final breath out of an opium pipe.<br />
I mixed it with magnesia and to old age be true<br />
I have lived a hundred lifetimes in those last words. </span></p>
<p><span style="color: #ff0000">The river of analyses, I’ve played in. Pon de river. Pon de bank.<br />
My head beat like laundry against the rocks and I thought<br />
Of ironing boards and getting everything straight<br />
But I fell inside the wrinkle of another dream’s forehead.<br />
In the trench war &#8211; memory versus records- I met Athena<br />
And I’m telling you she couldn’t weave hair (or victories) worth a damn.<br />
She was no virgin, she slept with my rage and I swore not to tell my religion.</span></p>
<p><span style="color: #ff0000">When crossing my fingers<br />
I am fickle as a mojito with a twist,<br />
And in the peaceful decadency of Old MacDonald’s rolling pasture<br />
Surrounded by lilac blooms, fastidious bumble bees<br />
And the dainty cough of summer<br />
We lived for the damnation of doing so. </span></p>
<p><span style="color: #ff0000">Here’s to choice!<br />
Here’s to the bacchantes!<br />
To the laugh!<br />
To what’s all the rage in the black-eyed skull of night!<br />
To the corpse, she river-dances!<br />
And life’s yawning zipper!</span></p>
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		<title>Djembe</title>
		<link>http://www.excelanoproject.com/2010/djembe/</link>
		<comments>http://www.excelanoproject.com/2010/djembe/#comments</comments>
		<pubDate>Mon, 03 May 2010 15:53:52 +0000</pubDate>
		<dc:creator>Melissa Pavri</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://www.excelanoproject.com/?p=752</guid>
		<description><![CDATA[Whenever I hear a djembe laugh with the pulse of a thousand fingers
I think of what it means to be free in a world that stares at every open mouth
Like a field on fire
Worried its blaze might burn sanity to the ground
I want to brush the sand of insecurity from my neck
Roll down the dune [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #ff6600">Whenever I hear a djembe laugh with the pulse of a thousand fingers<br />
I think of what it means to be free in a world that stares at every open mouth<br />
Like a field on fire<br />
Worried its blaze might burn sanity to the ground<br />
I want to brush the sand of insecurity from my neck<br />
Roll down the dune of my stomach<br />
And tell the pit of my navel that I am alive<br />
Throw myself into the busied river of the day and<br />
Fish for nothing but a night in a place you don’t know exists<br />
But you know you are on your way and<br />
There is gravity there and it is more important than reason<br />
In this beat I am nothing but release<br />
A moment resting in the humid air<br />
Just for the sake of breathing the life from shaking hips before it bursts<br />
Today I am a dying drum and I want to be beaten<br />
With the weight of an afternoon awash with tangerine sun<br />
And heads cocked back in orgasm for no other reason than that they know how<br />
I want to arch my back into a question mark and admit that I am not all knowing<br />
And that the music knows this space better than I do<br />
But I can try<br />
I can open every crevice of me to shake the dust from my pages and<br />
Laugh at the most jealous of instruments<br />
Because they will never bend their bodies for joy<br />
Like we do though many will die trying<br />
Their lips are selfish old women<br />
Never let their thighs do the talking<br />
But we know better<br />
We know the stories in our bones can only be heard<br />
When our skins cry loose like rattlesnakes looking for more interesting lives<br />
When our shadows shed their shame and jump over our heads<br />
To catch us before we lose our legs<br />
I want to know my shoulders will trust the sky more than the earth<br />
Sway like artists toward the stars and promise nothing<br />
But belief in flight in seconds in ecstasy<br />
In the bareback truth that the most beautiful things crack on the outside<br />
If only to let the rhythms of the world into their veins<br />
Even if for only a dance a moment a breath<br />
The truth is my chestnut body owes its heat to the earth<br />
To the soils in my grandmothers eyes and<br />
The plains of her back and all I want to do<br />
Is run thoughtless through the strands of her onyx hair<br />
To the poetry of the djembe she held for years like a last word before expiring<br />
The slap slap racket of life struck on the hoop of her mouth<br />
Was always enough to make her forget the dismal face of boredom<br />
Let the reddened soles of my feet leave the ground<br />
Long enough to learn the secrets of escape<br />
</span></p>
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